Sister Singers Network
Festival 2014
Early Planning Document
Request Submission of Responses to the SSN Steering
Committee by FEBRUARY 15, 2012.
This
is a call for proposals regarding the hosting of the 11th Sister
Singers Network National (or International) Women's Choral Festival in 2014.
This document is made available to network
members in an effort to help facilitate more frequent gatherings and exchanges
of information for network choruses. It was initially created in 2003 and is
now made available to members with interest in hosting future festivals and
gatherings. The goal of the Early Planning Document (EPD) is to ease the
process and keep us going forward instead of re-inventing the wheel when it
comes to planning festivals.
The EPD will guide you to create a proposal
in a specific format, providing information in each area to the degree you are
able at this early date. We hope this will be a helpful way for everyone to
have the salient information from which to make a final decision on the
location of the next festival.
Please review information provided on the
Sister Singers Network website, including previous meeting and festival notes,
prior to submitting your proposal. A lot of helpful information can be found on
the website.
Based on past experience, the most logical timing
within a year to have a festival is between Memorial Day and July 4th, due to
the seasonal nature of most choruses. However, there are good reasons for
having a festival at various times within a year. These would include such
things as prices, availability of venues, and the local weather.
Responses to this call are due back to
the SSN Steering Committee by February 15, 2012.
Completed proposals will be reviewed and
discussed at the Spring 2012, SSN meeting.
You are strongly encouraged to send a representative to this meeting to respond
to any questions or concerns regarding your proposal. Member choruses with a
serious interest in hosting a 2014 festival may petition the network for
financial assistance, if needed, in order to be able to participate in this
meeting.
When you are ready to step up to plan and
host the next SSN festival, remember that there will be many resources
available to assist you. You will have seed money with which to enter into
contracts, etc. You will have past festival planning materials and individuals
with experience within our network that are willing and excited to help. The
resources of SSN and the SSN Helm are available for guidance and clarification
of policy and issues.
Part 1: Helpful items to consider when submitting
your proposal
A. Performance Space
- Staging - How many singers
can fit on the stage? Will mass chorus performance be staged at same
location as individual chorus performances, or at a different location?
Are risers available?
- Sound system - Is a system
available on site? What type? Will it be adequate?
- Lighting - Ability to
control lighting, will anything require specialized lighting?
- Seating capacity - Seek a
venue that will seat between 600 and 1200 individuals. Question to
consider: will the concerts be open to the public?
- Sound quality - Sound
quality will be a primary concern of many of the participants.
- Technical staff - Will the
venue provide staff, or allow for qualified individuals to run their
equipment? Union rules and regulations?
- Rehearsal space - Where will
choruses rehearse? And when (need quiet during performance)?
- Rest rooms - Are there an
adequate number of these available?
- Will you seek and plan for
paid performers or emcees from outside SSN? Some SSN festivals have had these, some
have not.
B. Festival Activities
- Workshops:
- Space - Are various sizes
of rooms available?
- Equipment – May need
pianos? Other musical instruments? Music stands? Projectors?
- Intensive workshops? - Some
SSN festivals have had these some have not.
- Meeting space for SSN
business meetings?
- Reception space - Plan to
host a reception, opening or closing?
- Vending and/or crafts sale
area planned? Size? Visibility? Security?
C. Housing/Accommodations
- Number of nights needed -
The network can provide guidance on signing contracts with hotels.
- Number of rooms needed - Can
get pre-registration information for estimates.
- Range of costs - Important
to attendees who are on a budget.
- Community housing available?
- Consider pet/ smoking/ fragrance/ accessibility issues.
- Transportation and/or
convenience to other venues
- Is it possible for attendees
to arrive early or stay late in the festival housing?
D. Transportation
- Public transportation -
airports, buses, subway, etc. - How will travelers get to your city? How
will you plan to move them around once they are there?
- Shuttles/taxis
- Will additional
transportation be needed/ provided by festival planners?
E. Food
- Available restaurants in
area?
- Food service needed?
- What will be included in the
registration fees?
F. Accessibility
Consider for all
areas of planning: venues, transportation, staging, meals, music, tapes etc.
- Mobility issues of participants
- Special needs of participants
- ASL interpretation
- Braille
G. Recording/Archiving
Will these be
things you will plan to offer at the festival?
- Audio recordings - Artist
permissions, copyrights, fees, performer permissions. Recording for
participant record only, or for resale? Equipment: on-site? Contracted?
(Similar issues with video recording.)
- Video recording -
Member/artist permissions
- Rehearsal Tapes - likely
will be needed especially if you host a mass chorus or similar
- Photography – during
performances? of choruses pre- or
post-performance?
H. Communications (including registration items)
- Pre-festival communications:
- Email: This was the most
used method for the last two festivals.
- Snail mail: Rehearsal
tapes, mass chorus music, signed forms, checks for registrations,
etc. Use mailing address or P.O.
Box.
- Web: Festival website will
be important for publicity and ease of communications. What features
will you be able to build into a web site (will you do registration
online)? Does your organizing group have web site building skills, or
will you need help from the network?
- At Festival Communications:
- Concert program
- Festival program
- Registration area
- Mobile
phones/walkie-talkies
- Message center
- Rehearsal, performance
schedules
- Signage
Part 2: Your Vision for a Festival
Please describe your vision of the festival
you would like to plan.
Part 3: Seed Money
Seed money is available to the next festival
hosts to assist with deposits and prepayments. After the festival books are
closed, the seed money is returned to the network. Three of the last four
festival hosts actually increased the amount of money returned to the network.
This is great, but it is not a requirement.
While SSN promotes fiscal conservatism and
the use of modest accommodations that keep expenses reasonable, it is
conceivable that unforeseen circumstances could result in a festival sustaining
a loss. In that case, the seed money advanced by the network would be available
to offset a loss.
What kind of financial goal does your
organizing group have for the festival?
Part 4: Sister Singers Network Helm (Steering
Committee)?
What questions, comments, concerns
or suggestions do you have for the Helm?
Part 5: Other Planning Considerations
- Local support: Will you garner support from
local city and organizations? - Convention & Visitor's Bureaus
are often a good source of assistance, for example.
- Mass chorus: What will be the mass chorus venue
and size, choice and dissemination of music, before and at festival
rehearsals, technical considerations, director(s)?
- Funds and budgeting: Use of seed money, separate
festival checking account, grant writing,
solicitations, etc.
- Tax status: A 501(c)3
status for host chorus is desirable, and necessary to apply for most grant
funding.
- Local volunteers: Numbers, sources, and
availability of local volunteers needed for the festival will be important
to consider.
- Visual Image: Will you want a festival logo to
use on materials for participants, etc? Will you produce "festie" goods, such as t-shirts, etc?
- Potential issues: Will you have women only
space? Allow men on stage? Provide child care? Consider exchange rates for
out-of-U.S. participants?