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10th Sister Singers Network National Women's Choral Festival  
Our Kind of Sound  * Chicago  *  July 1-July 4, 2010
 

OurKindOfSound_LOGO_Color_Final.jpgWORKSHOP DESCRIPTIONS

NOTE: Only registered Sister Singers Network Festival ~ Our Kind of Sound ~ Chicago 2010 ~ participants were allowed entry to these sessions.

Thursday, 7/1/2010

1:30pm - 2:45pm                                                                               Mundelein Center Room 506

The Jazz Singer Born In You

Jazz is singing in the pouring rain. Jazz is the sun sliding down an unseen shoot. When asked about playing jazz, Dizzie Gillespie responded “It's taken me all my life to learn what not to play.” How do we learn to sing in a jazz style, either as a group or as individuals? The basic answer involves learning improvisation, harmonics, rhythms and arrangements, so this session will explore what takes a piece of music out of the realm of the ordinary and into a jazz or swing sensibility. We will work with known classics and also turn one or two old standards into our own jazz renditions. Jazz music has got to have that "thing." And as Miles Davis would say “You have to be born with it. You can't even buy it. If you could buy it, they'd have it at the next Newport festival.” Now's the time to discover your inner jazz singer!

Karen Mooney, Artemis Singers - Karen has worked as a musician in a variety of settings with many different combinations of performers. She was the featured vocalist in the trio Radical Nuances, performing, among other things, an alternative interpretation of Rhapsody in Blue. She also spent four years experimenting with inventive compositions in a slightly more standard rock/pop band. Karen has always brought a unique sensibility and sensitivity to her presentations, never losing her vision of music as a constantly changing and emerging art form.

 

Thursday, 7/1/2010

1:30pm - 2:45pm                                                                               Mundelein Center Room 514

Strong Voices: Women's Choruses Singing for Social Justice

This workshop will begin with a brief history of women’s choruses and the connection between women's music of the 1960s and 1970s and the rise of the modern women's choral movement. Following this brief overview, I will share what I have learned in interviews with members of women’s choruses around the country, including questions about the relationship of their chorus members to one another and to their audiences. We will examine decision-making as it affects the structure, logistics,and repertoire of choruses, and how issues of race, class, and especially sexual identity have worked themselves out in your chorus. In addition, we'll consider what social justice means to your choruses. In the course of sharing what I have learned from these interviews, we'll look at a few especially powerful and revealing stories that illustrate the power of singing together for members of women’s choruses, and the connections they feel with their audiences and with the community. I will then open the workshop to discussion among participants and invite you to share your own stories in order to see how your experiences reflect, contradict, mirror or otherwise connect with the stories I have described. Finally, we will see how we can support one another as singers and activists. What advice can women in choruses that have been around for a while give to newer choruses, and what questions do these newer choruses have for women who have been singing in choruses for some time? Since this workshop is part of my ongoing research, I will be happy to share the results with participants, and, if they so desire, also keep them apprised of the progress of my book.

Rita Kissen, Women in Harmony - Rita is a retired Professor of Education and Women's Studies at the University of Southern Maine and a member of Women in Harmony, a 55-voice women's chorus based in Southern Maine. Both her academic interests and her social activism have focused on ending homophobia and giving voice to lesbian and gay educators. Rita is currently at work on a book describing women's choruses during the past 30 years: their history and origins in the second wave of the women's movement; their struggles with identity, class and race; their mission and functioning, and the effect they have on the women who sing in them and on the audiences who hear them. Most of all, Rita is interested in how women's choruses combine excellent singing with a commitment to social justice. She has previously published two books: The Last Closet: The Real Lives of Lesbian and Gay Teachers (1996) and Getting Ready for Benjamin: Preparing Teachers for Sexual Diversity in the Classroom (2001).

 

Thursday, 7/1/2010

1:30pm - 3:00pm                                                                               Mundelein Center Room 519

Your Inner Creator: Making Original Works for Performance

Do singers need to be relegated to a life of expressing the creativity of OTHER people? No! We are all born with a capacity to create original artworks (e.g., songs, visual art, dance, poetry, monologues). Such creativity is not the province of an elite few but rather an inherent part of being human. Learn how the Indianapolis Women's Chorus encourages chorus members to prepare and perform original works in concerts. Hear from the chorus director about the birth of the program (inspired by Sound Circle’s "On Bodies") and the “creator process” used by the chorus since 2006. Hear from chorus members who will share their own journeys and discoveries.

Pam Blevins Hinkle, Indianapolis Women's Chorus - Pam has been Artistic Director of the Indianapolis Women's Chorus since 1996. She facilitates workshops in creativity, improvisation, chant and more, and she has worked with chorus members to pioneer a process that encourages chorus members to create and present original works.

 

Thursday, 7/1/2010

1:30pm - 3:00pm                                                                              Mundelein Center 14th Floor

How to Stay Relaxed and Improve Your Voice

Our voices sound best when we're relaxed, yet we know that everything about the experience of performing conspires against the feeling and sound we want. This workshop will teach you how to develop habits of ease and relaxed vocal resonance--even in tight situations. We’ll draw from actors’ voice and body training to learn new methods of kinesthetic awareness throughout vocal ranges.

Marla Beth Elliott, The Righteous Mothers - Marla Beth is a singer/songwriter with The Righteous Mothers. She teaches choral music and performance studies at The Evergreen State College in Olympia, Washington, and has taught voice privately for over 20 years. Marla holds an M.F.A. degree from the University of Washington.

 

 

Friday, 7/2/2010

8:00am - 9:30am                                                                               Mundelein Center Room 514

Sister Singers Network Meeting

This meeting of the membership will discuss ongoing network business. Each chorus is asked to send one or two representatives to the meeting, amd everyone is welcome. Topics of discussion will include planning for a 2011 SSN meeting to be hosted by Sistrum (in Lansing, MI), a 2012 meeting to be hosted by MUSE (in Cincinnati) during the World Choir Games, and future festivals. As with all SSN festivals, when and where the next festival happens depends on you. We are hoping a chorus will step forward this week and announce that it is considering hosting a Sister Singers Network Festival in 2014. Coffee and rolls will be provided for this meeting.

Facilitator: Janice Scalza, Grand Rapids Women's Chorus

 

Friday, 7/2/2010

8:30am - 9:45am                                                                               Mundelein Center Room 519

Talking About Choral Sound

This workshop will include a short presentation followed by group discussion, addressing questions such as What sound do you want for your ensemble and why? What sound do you like? What sound does your personal physique and bearing naturally call forth? What kind of relationship do you want the audience to have with the sound? What ensembles are models for you in regard to their sound and why? This workshop is not about how to create a particular sound; it's about knowing what you want and why. It's easy for conductors, especially of community choruses, to spend all their available rehearsal time correcting pitches and rhythms. Chorus life is so much more dynamic when the director has a strong concept of sound quality and a knowledge of how to achieve the sound. This workshop is intended as a discussion opportunity, primarily for directors.

Sue Coffee, Resonance Women's Chorus - Sue is the founding Artistic Director of Resonance, the 100-voice Women's Chorus of Boulder, which made its debut in 2003, and Sound Circle, a women's a cappella ensemble, currently celebrating its 10th Anniversary season. She directed the Denver Gay Men's Chorus from 1999 to 2005. Sue has served GALA Choruses on the Board of Directors and numerous advisory committees and has presented workshops at GALA Choruses events on topics including long-range artistic planning, mission and relevance, and musical excellence. With Sound Circle and the Denver Gay Men's Chorus, she has performed and collaborated with other GALA member choruses across the country. Her ensembles are known for their supportive collaboration with composers, performers, and other organizations locally.

 

Friday, 7/2/2010

8:30am - 10:30am                                                                           Simpson Multi-Purpose Room

Frame Drums for Choral Accompaniment

Since ancient times, the frame drum has been used primarily by women in ecstatic ritual, meditation, ceremony and song to craft connections with self and community. This hand held drum can be used as a choral accompaniment instrument providing a rich, rhythmic sound in a small, yet powerful drum. Come experience an introduction to this dynamic practice. Learn the five basic strokes and simple rhythms that can initiate you into the world of frame drums. No prior drumming experience necessary; appropriate drums will be provided for use.

Barb Pitcher, Grand Rapids Women's Chorus - Barb has been playing drums over 40 years and has studied world drums for many years with master drum teachers. Her focus on the frame drum began in 1997, and she has studied extensively with Layne Redmond and Glen Velez. As a performing artist, Barb has worked with many artists including the Grand Rapids Women’s Chorus, Ubaka Hill and the Shape Shifters, and with Layne at the Percussive Arts Society International Convention. She has also collaborated with Layne to produce a concert with 35 frame drummers at the historic Howmet Theater. Barb teaches frame drum workshops at music festivals and conferences in the upper Midwest. Seeking to make the ancient art of frame drumming accessible to anyone who is drawn to this tradition, Barb's teaching style can incorporate both beginners and more advanced students, allowing everyone to experience the powerful, diverse rhythmic culture created when we drum together. For booking information, contact Barb at oakdrum@earthlink.net, www.cybeles.com, or Facebook, Frame Drums of Cybele.

http://t3.gstatic.com/images?q=tbn:HWEvG9Wg2tI8CM:http://www.wildwoodinstruments.com/Frame.jpg


 

Friday, 7/2/2010

9:15am - 10:30am                                                                             Mundelein Center 14th Floor

Building Strong Choral Communities One Decision at a Time

This panel discussion will present the stories of three different choirs as they explore diverse choir structures, decision-making, and the issues that come with being a creative women's group operating in the nonprofit world.

Joni Wamer, Indianapolis Women's Chorus; Diana Porter, MUSE, Cincinnati Women's Choir; Joyce Metayer and Althea Gonzalez (Moderator), Womansong - All panelists have been involved in organizational development within their choirs.

 

Friday, 7/2/2010

9:30am - 12:00pm                                                                             Mundelein Center Room 506

Influence Changes Everything: How Conductors Can Create Momentum and Achieve Success (and still sleep at night)

http://t3.gstatic.com/images?q=tbn:8HH_vwvijVaIeM:http://www.singers.com/instructional/images/ConductorLeader200.jpgThere are many pieces to the puzzle in the life of a choral conductor. Repertoire, management, rehearsal planning, audience building . . . the list is long and ever-changing. And while each of these pieces can be viewed separately, studied and researched and improved by a wealth of resources and colored by experience, the missing puzzle piece—the one that brings everything together into a meaningful whole—often eludes even the most seasoned conductor. How can conductors create an environment where there is always a sense of momentum, where ensemble members take ownership of their experience, and where success, defined in multiple ways, can be achieved without compromising relationships or damaging the character or spirit of your ensemble? How can we learn to use our influence to create an artistic and personal experience which will be savored in the moment and remembered for a lifetime?

Dr. Ramona M. Wis, North Central College, Naperville, IL - Dr. Ramona M. Wis is the Mimi Rolland Distinguished Professor in the Fine Arts and Professor of Music at North Central College in Naperville, IL where she conducts the Chamber Singers and Women's Chorale, teaches courses in conducting, methods, and servant leadership, and is Chair of the Department of Music. Dr. Wis is a highly sought-after festival conductor and public speaker, former President of Illinois ACDA, and the author of The Conductor as Leader: Principles of Leadership Applied to Life on the Podium. She holds degrees from the University of Illinois, Northern Illinois University. and Northwestern University and has conducted and performed in academic, professional, and community organizations for more than 30 years.

 

Friday, 7/2/2010

10:00am - 12:00pm                                                                           Mundelein Center Room 519

Music in the Moment: Discovering Improvisation

Discover your OWN music and explore music-making as a profound and wildly fun means of self expression. Through simple games and exercises, you'll discover the sounds, rhythms, and yes--the magic--that is inside of you. No previous experience in improvisation is needed . . . only the willingness to laugh and let go.

Pam Blevins Hinkle, Indianapolis Women's Chorus - Pam has been artistic director of the Indianapolis Women’s Chorus since 1996. She is also an instrumentalist, workshop facilitator, and director of the Spirit & Place Festival. Pam performs with “Thin Air,” a 5-piece ensemble that creates fully improvised performances from a rich vocal and instrumental palette, including accordion, cello, clarinet, flute, hang drum, percussion, piano, and violin. Pam studied improvisation with David Darling in the Musician and Leadership Certification Program of Music For People. She has facilitated numerous workshops on improvisation and currently teaches a class called “Music in the Moment” at the Indiana Women’s Prison.

 

Friday, 7/2/2010

10:30am - 12:00pm                                                                           Mundelein Center Room 514

Old Pride: Embracing Our Years Over 60 -- Womyn Only

This workshop will examine how to better challenge ageism and the marketing efforts that tell us that we should look young, act young, think young, and be young.

Jan Griesinger, Calliope Feminist Choir - At age 67, Jan is the National Co-Director of Old Lesbians Organizing for Change (OLOC); co-founder of and singer in Calliope Feminist Choir (Athens, OH), and co-founder and resident of Susan B. Anthony Memorial UnRest Home Womyn's Land Trust.

 

Friday, 7/2/2010

10:45am - 12:00pm                                                                           Mundelein Center 14th Floor

Commissioning for Dummies

This workship will deal with how to commission a composer, including the time line of commissioning, choosing a composer, finding money, working with contracts, choosing text, and the collaboration process.

Meredith Bowen, Sistrum, Lansing Women's Chorus - See Meredith's bio for 7/4/10 workshop on conducting.

Jenni Brandon Composer - See Jenni's bio for 7/3/10 workshop on composition.

 

Friday, 7/2/2010

10:45am - 12:00pm                                                                         Simpson Multi-Purpose Room

Calming Your Pre-Concert Jitters

We will use guided imagery, body awareness, and simple movements to center and calm our minds and bodies. Experience a variety of techniques in order to find what works for you.

Sue Emmert, RN, MS, Sistrum, Lansing Women's Chorus - Sue has been working with individuals and groups for many years, focusing on relieving stress and promoting well-being. She is also certified in therapeutic bodywork and works with people who have pain and other chronic health issues.

 

 

Saturday, 7/3/2010

8:30am - 10:15am                                                                             Mundelein Center Room 506

Music Reading for Non-Readers

j0089196This interactive workshop will focus on the basics of reading music. We will start with simple concepts and progress to more complex concepts as workshop participants are ready. We will use familiar songs and SSN Festival mass chorus pieces to demonstrate the concepts we are learning. (In addition to the 20 participants, choral directors are welcome to attend this workshop as non-participating observers.)

Cindy Bizzell, Common Woman Chorus - Cindy joined the Common Woman Chorus (CWC) as a singer in 1992, becoming its Artistic Director (AD) in 2000. As AD, Cindy has worked to develop CWC members as musicians and performers. She holds an undergraduate degree in Music Education and a graduate degree in Counseling. In her day job, she administers training and education programs for the North Carolina Judicial Branch.

 

Saturday, 7/3/2010

8:45am - 10:15am                                                                             Mundelein Center Room 514

Chorus Management Bootcamp

Running your chorus as a volunteer or part-timer can be an overwhelming task requiring many different kinds of expertise. This workshop will include topics such as marketing, administrative basics (financial management, membership tracking, banking and insurance), and fundraising.

Robin L. Godfrey, Athena's Fire - Robin serves as General Manager of GALA Choruses, maintains a private accounting practice, and serves as an adjunct faculty member at Chatham University. Prior to beginning her work in arts management with the Renaissance City Choirs in 2002, Robin had 25 years of experience in accounting and finance, primarily in electric power and its related industries. She resides in Pittsburgh with her partner, Amy, and their golden retriever, Hank.

 

Saturday, 7/3/2010

9:00am - 10:30am                                                                           Simpson Multi-Purpose Room

The Women's Choral Movement, What's Ahead, and the Joyous Road We've Traveled Together!

The topic of this workshop will be to decipher how we’ve moved ahead from Women’s Music (c 1973–1993), into our lively [on-going] Women’s Choral Music Movement. The exuberant energy we felt from those early heady, activist days was unforgettable. We found a lot lacking, so we founded our own organizations, and created space for the music we wanted to make. Women’s choirs were founded all over the country, some have discontinued, and many more have begun in recent years. We Sister Singers are still making music! Has our choir membership changed? Have our communities changed? Has our programming changed? Has our audience changed? What does survival and relevance look like today? What social change movements are we connected to? Who are we now and what can we learn from one another as we grow and negotiate these challenging times—now headed into the fifth decade of the Women’s Choral Movement?

Facilitator and Panelist: Catherine Roma, DMA, MUSE, Cincinnati's Women's Choir - An avid lover of women's voices in all their vibrancy and depth, Dr. Catherine Roma has been involved with the women's choral movement since 1974 when she started her first women's choir in Madison, WI, as a masters student in choral conducting. In the summer of 1975, Cathy moved to Philadelphia to teach and started Anna Crusis Women's Choir, which she directed for eight years. Then Cathy traveled to Cincinnati to pursue doctoral studies at the College Conservatory of Music where she started MUSE, Cincinnati's Women's Choir. Twenty-seven years later Cathy is still enamored with women, and women singing, and commissioning women to write for women's voices. Learn more at the MUSE website www.musechoir.org.

Panelists: Sue Coffee, Resonance Women’s Chorus; Joan Szymko, Aurora Chorus and Jacqueline Coren, Anna Crusis Women's Choir

 

Saturday, 7/3/2010

9:00am - 10:30am                                                                        McCormick Lounge (Coffey Hall)

Exercises in Movement Solfege and Sight-Singing

No chairs and no shoes! Come make the world of solfege and sight-singing a little bit less mysterious and more FUN. Using techniques from Dalcroze eurhythmics, we will use our whole bodies (not just our voices) to gain a better understanding of music.

Erica Olden and Andres Cladera, Renaissance City Women's Choir - Erica and Andres are professional musicians from Pittsburgh. Both are accomplished classical musicians - Erica has performed leading roles with opera companies across the country and Andres, in addition to serving as Artistic Director of The Renaissance City Women's Choir, has conducted numerous operatic, symphonic and classical music productions in the U.S. Both are teachers who incorporate the approach of Jaques-Dalcroze eurhythmics in their teaching. Since meeting many years ago in the graduate music program at Carnegie Mellon University, Andres and Erica have founded The Microscopic Opera Company, whose focus is on presenting modern and new chamber operas in Pittsburgh. Please visit www.microscopicopera.org for more information.

 

Saturday, 7/3/2010

10:30am - 12:00pm                                                                           Mundelein Center 14th Floor

By Women, For Women: Choral Works for Women's Voices Composed and Texted by Women

Throughout history, men have composed quality works for women’s voices, and that quantity of work is well-represented in repertoire lists, concert programs, and available recordings. But what about works by women composers, or those with texts by women authors? What about music written by women, for women? Additionally, there is the issue of performing subject matter and content that can best support the emotional, psychological, and social development of well-rounded, independent women. This interest session will be a valuable resource for all conductors of women’s voices – to assist in the programming of a wide variety of quality repertoire by women composers and poets.

Shelbie L. Wahl, Indianapolis Civic Theatre - Shelbie received a Doctor of Arts in Choral Conducting from Ball State University, with a secondary degree emphasis in Music Education. Shelbie conducted the Ball State Women’s Chorus for three years, served as Assistant Conductor of both the Chamber and Concert Choirs, and taught Introductory Conducting. She also holds an M.M. in Choral Conducting from Butler University. Shelbie is now in her ninth season as Musical Director and Conductor at Indianapolis Civic Theatre.

 

MC900070943[1]Saturday, 7/3/2010

10:30am - 12:00pm                                                                           Mundelein Center Room 506

Professional Fundraising Tips

This workshop will explore essential topics for a successful fundraising campaign. We will look at readiness for grant seeking; grant research and writing; and donor cultivation. The workshop will give participants an opportunity to think about what’s special about their organization and how to turn their uniqueness into funds.

Jenny Clarke, Melodia Women's Choir of NYC - Jenny's career in arts administration and producing includes both grant making and fundraising. She is currently the Manager of Grant Making programs for the American Music Center in New York, providing grants that assist composers in the realization of their work. In addition, in her capacity as director of The Arts Business, she has provided fundraising services to numerous arts organizations both large and small. In 2003, Jenny combined her lifelong love of choral singing and her career as an arts administrator to form Melodia Women’s Choir of NYC.

 

Saturday, 7/3/2010

10:30am - 12:00pm                                                                           Mundelein Center Room 514

Open Forum Composition Seminar

This workshop is designed to look at six individual composers’ works in an open forum; however, everyone is invited to sit in. Jenni will look at compositions written by the six composers and give them feedback on their music and score preparation. The six composers will bring copies of their scores (vocal/choral or instrumental) to share with the other participants who are auditing the workshop so that they may get tips and ideas for composing by looking at the composers’ works. The six composers will be asked to bring 11 copies of ONE score and a CD recording of their work; however, if it is a choral work, all composers and participants may be asked to sing the work! An accompanist will be provided. Each of the six composers will sign up for a 15-minute slot to work with Jenni in this public forum. Please contact Jenni@jennibrandon.com today to sign-up to be one of the six composers!

Jenni Brandon, Composer - Jenni Brandon (b. 1977) is an award-winning composer of solo, vocal, choral, chamber, and orchestral music. Her compositions have been commissioned, performed, and recorded by a wide variety of ensembles in venues across the world, including Carnegie Hall. Jenni is also active as a conductor and mezzo-soprano, frequently making guest appearances. Her first self-produced CD, Songs of California: Music for Winds and Piano, was released in 2010. Please visit www.jennibrandon.com.

 

Saturday, 7/3/2010

10:45am - 12:00pm                                                                     McCormick Lounge (Coffee Hall)

Yes or No? Conflict Resolution and Gaining Consensus -- Womyn Only

A group of strong-minded women present unique challenges and frustrations to those who want decisions made quickly. When disagreements arise, there are alternatives to a stalemate. Conflict resolution and gaining consensus will be explored and practiced by the participants with Kathie and Sue leading the session.

Kathie Spegal and Sue Searing, Amasong: Champaign-Urbana's Premiere Lesbian Feminist Chorus - Kathie is the current convener and has been on the board for a total of 10 years. She has worked for various not-for-profits and is a singer with Amasong. Sue is a librarian at the University of Illinois. She has served as convener of Amasong for three years.

 

Saturday, 7/3/2010

10:45am - 12:00pm                                                                         Simpson Multi-Purpose Room

Feel Like Going On: The Legacy of the MUSE New Spirituals Project

MUSE has made a strong commitment to becoming a diverse choir. We are women loving women: lesbian, bi-sexual and hetero-sexual. We range in age from 22 to over 70. We started with two women of color and now have twenty women of color in the choir. This workshop will open with a 20-minute DVD: I Feel Like Going On: The Legacy of the MUSE New Spirituals Project, which tells some of MUSE's history. Participants will have time to work in groups to explore ways to build community while becoming more diverse.

Diana Porter and members of MUSE, MUSE, Cincinnati's Women's Choir - Diana is a founding member of MUSE. She says that she has "been a part of the journey of our choir to realize our philosophy of 'musical excellence and social change.'" Diana's twenty-minute DVD tells the story of MUSE's work to become a more diverse choir. Members of MUSE will join Diana in sharing their stories.

 

 

Sunday, 7/4/2010

8:30am - 10:15am                                                                             Mundelein Center 14th Floor

Music Sharing

Discover new music to add to your chorus libraries and share some of your favorites! Directors have been asked to bring a 3-inch binder filled with music that has worked well for their chorus over the years, as well as some of their more recent concert programs. These binders will be on display during the workshop for your perusal. Directors will be highlighting specific pieces of music and we’ll have the opportunity to do a little singing.

Katy Clusen, Artemis Singers - Katy has participated as a director of Artemis Singers for at least the past 10 years. Directing the chorus for the Sister Singers Network Festival in Grand Rapids was thrilling and life-changing for her. A few weeks after that festival she took the position of music teacher at the elementary school where she had been a classroom teacher. Katy still teaches music on the South Side of Chicago and has had a successful year that included performing for Mayor Daley with her drum ensemble and children's chorus.

Meredith Bowen Sistrum, Lansing Women's Chorus (See Meredith's bio for 7/4/10 workshop on conducting)

 

Sunday, 7/4/2010

9:00am - 10:15am                                                                        McCormick Lounge (Coffey Hall)

Movement with Singing -- Womyn Only

Walk, clap, stomp, sing—all at the same time! Get comfortable in your skin and stretch yourself with the joy of movement. We'll learn a few simple songs to get movin' on. Wheelchair, walker, and cane singers welcome too.

Debbie Nordeen, Womansong - Having directed and performed in professional theatre, Debbie believes life should be lived not as a soap opera but as a musical comedy, complete with singing and dancing, with all conflicts resolved into a happy ending. A favorite quote of Debbie's is "If you can walk, you can dance; if you can talk, you can sing." Debbie enjoys Nia, African dancing, and walking 10,000 steps a day. A music education graduate from Northern Illinois University, she is a vocal instructor in Asheville, NC, living part time in Meherabad, India. Debbie has directed Womansong since 1994.

 

Sunday, 7/4/2010

9:00am - 10:15am                                                                             Mundelein Center Room 506

Old-Timey Spirituals

While taking a sabbatical from teaching in the mid 1980s, Cathy returned to her mother’s ancestral rural South Carolina home where she realized the rich song traditions all around her. Remembering that her mother had sung many southern folk songs and African American spirituals to her as a child, Cathy contacted some of the older women in the African-American community and was graciously welcomed into their homes where she collected their "old-timey spirituals," recording these powerfully rich sessions. We will hear some of these recordings, then learn a few, adding harmonies and weaving parts into the songs as we go. These "old-timey spirituals" have a power and beauty that Cathy says make her "very proud of our American musical heritage!"

Cathy Riley - As a child, Cathy studied piano, guitar, and voice. She has been performing and teaching music for 40 years. More recently, Cathy began composing music with inspirational themes. She has made 2 CDs and is currently working on a children’s CD. She has collaborated with Asheville puppeteer and Womansong member Lisa Sturz, writing music for three of Lisa’s puppet shows. She also directs a sacred music choir, showcasing her original music and arranging and including music of other Asheville songwriters. She continues to teach and perform locally.

 

Sunday, 7/4/2010

9:00am - 10:15am                                                                             Mundelein Center 14th Floor

Singing and Sharing Rounds

This workshop is just for the fun of singing together in the round. (Canons are OK too!) Please bring the words (and music, if you'd like) to a favorite round or two. I hope many participants will bring a favorite round to lead and share. I'd suggest enlisting other singers from your chorus to learn the round, so 3 or 4 people can present, teach, and lead the round.

Julie Levy-Weston and friends from Sistrum, Sistrum, Lansing Women's Chorus - Julie been singing rounds since her early days on family car trips ("Across the Fields of Gold and Green . . .") She has been a member of Sistrum, Lansing Women's Chorus since the fall of 2006. When not singing, Julie may be found contra dancing, knitting, quilting, baking—and, yes, working—at the Michigan State University Museum.

 

Sunday, 7/4/2010

9:00am - 10:30am                                                                           Simpson Multi-Purpose Room

Guest Artists: Working in Harmony

Any chorus, of any size, can bring a guest artist to their town. We will cover the basics of how to do it as well as how to make it fun and profitable, maximizing the benefits and addressing the specific needs and desires of your group. Time permitting, we will work together on the beginnings of a song and show how it can be the cornerstone of your next guest artist extravaganza.

Cris Williamson - Cris is a singer/songwriter who became a key player in the genre known as Women's Music after her recording The Changer and the Changed became, for many, the soundtrack of that movement. Cris has more than 30 albums in her catalog, with a memoir and three more recordings in the works.

Sunny Hall and Kathie Michael Crescendo: The Tampa Bay Women's Chorus - Sunny is the Artistic Director of Crescendo and has brought many guest artists to the stage with her chorus. Kathie, Crescendo's Production Coordinator, has worked on the logistical side of incorporating guest artists into chorus performances.

 

Sunday, 7/4/2010

10:30am - 11:45am                                                                           Mundelein Center 14th Floor

World Choir Games 2012

http://t2.gstatic.com/images?q=tbn:t6l2HCrJ5TkPRM:http://www.moeningpresentations.com/ImageGallery/704/WorldChoirGames_logo.gifHeld every two years in cities around the globe, the World Choir Games (WCG) are known as "The Olympics of Choral Music," honoring the history and international flavor of choirs with peaceful celebration and friendly competition (www.cincyusa.com/worldchoirgames). The World Choir Games, a biannual event dating back to 2000, will take place in the USA for the first time in July of 2012. The city of Cincinnati has been chosen to host the event. MUSE's Cathy Roma serves on a planning committee for the event, and she will travel to Shaozing, China, later this July to witness the Games. Julie Brock, SSN Steering Committee member, would like any and all interested SSN choirs and individuals to participate in or experience the 2012 Games in Cincinnati. Please join us at this workshop as we try to better explain the WCG and give you an opportunity to share with us your ideas for and interest in joining us in Cincinnati in 2012!

Dr. Catherine Roma, MUSE, Cincinnati's Women's Choir - See Cathy's bio for 7/3/10 workshop on the women's choral movement.

Julie Brock MUSE, Cincinnati's Women's Choir- Julie is a singing member of MUSE and the PR/Marketing Representative for the Sister Singers Network.

 

Sunday, 7/4/2010

10:30am - 11:45am                                                                           Mundelein Center Room 506

It's All About the Ictus . . . and Other Conducting Basics

This workshop will be a conducting class for the beginning conductor in all of us. Topics covered will include score study, gesture/pattern, and breathing. Warning: you will conduct in this class.

Meredith Bowen, Sistrum, Lansing Women's Chorus - Meredith has been the Artistic Director of Sistrum, Lansing Women's Chorus since 2001. Highlights from the past seasons include producing two CDs Sweet Women and Dancing Naked at the Edge of Dawn, spearheading Sistrum's first commissioned work, and conducting multiple collaboration concerts. In addition to her work with Sistrum, Meredith is also Music Director of the Battle Creek Girls Chorus in Battle Creek, MI, and serves as adjunct faculty at Lansing Community College. She holds a M.M. in Choral Conducting from Michigan State University, and a B.S. in Music Education from West Chester University, PA.

 

Sunday, 7/4/2010

10:30am - 11:45am                                                                           Mundelein Center Room 514

Participatory Decision Making

This workshop will examine effective and sustainable group decision-making. How do you invite participation while also making decisions that the group will support? How long should group discussion go on? How can you know when a decision is weak and unlikely to be upheld? How can we ensure that our groups make strong, lasting decisions? We'll hear from both former and current Common Woman Chorus board members about their group decision-making experiences.

Cindy Bizzell, Artistic Director and members of the Common Woman Chorus, Common Woman Chorus - See Cindy's bio for 7/3/10 workshop on music reading for non-readers.

 

Sunday, 7/4/2010

10:30am - 12:00pm                                                                     McCormick Lounge (Coffey Hall)

Song Arrangement, A Group Process

This will be an interactive workshop where we will take a well known song and work with the participants to arrange the song in a new and interesting way for a vocal group or choir. We will demonstrate how The Righteous Mothers transform a song through vocal and instrumental arrangement into a unique piece. Come prepared to sing and have fun!

Lisa Brodoff, Wendy Crocker, Clare Meeker, Marla Beth Elliott of The Righteous Mothers - The Righteous Mothers are four funny, philosophical female folk-rock musicians who have been one of the Northwest’s foremost musical performing groups for the past 29 years. They whip their audience into a frenzy with zany original music, witty theatrics, and mind-boggling, intricate vocal harmonies. The Righteous Mothers grab hearts and funny bones with songs about ice cream, labor pains, annoying dreams and Supreme Court decisions. They surprise and delight young and old, gay and straight, male and female with their quirky humor and open hearts.

  

July 4, 2010

11:45am – 1:15pm                                                                                                       Location TBD

Directors’ Roundtable Lunch

Informal discussion with other directors on topics such as how directors address common issues (e.g., individual singing problems, singers engaging with the audience, rehearsal structures, etc.), new member recruitment/retention, distributing music through downloads, and educational resources for directors and copyrights/permissions. Box lunches will be provided for anyone who has pre-purchased their Sunday lunch meal ticket. Contact festival@sistersingers.net if you need to order one.

Facilitators: Lori Tennenhouse, Grand Rapids Women's Chorus and Meredith Bowen Sistrum, Lansing Women's Chorus